This month’s Hobby Tech features two different Raspberry Pi add-ons, one designed to get the best possible audio quality out of the popular single-board computer and the other designed to get the best possible audio quality into it, along with a review of Mark Hardisty’s Inlay in tradebook paperback format.
First, the let’s-play-high-quality-audio add-on: the Allo DigiOne. Reviewed in its Player format, which bundles the DigiOne S/PDIF hardware attached on-top (HAT) board with a Raspberry Pi 3, micro-SD card, power supply, and admittedly neat acrylic case – which, unfortunately, makes it really difficult to remove said micro-SD card – the DigiOne is designed to output digital audio over an RCA or BNC connector. Its primary selling point: as-low-as-possible jitter, claimed to be measured at 0.6 picoseconds – though its creators seemingly accusing optical outputs, which the DigiOne lacks, of having 4 nanoseconds of ‘jitter’ when they appear to actually mean ‘delay’ is disappointing.
The Andrea PureAudio Microphone Development Kit, by contrast, is less about the sound that comes out of a Pi and more about what goes into it. A bundling of a cheap off-the-shelf USB soundcard in custom plastic packaging with a PureAudio array microphone – the self-same design Asus used to give away with selected motherboards – the Andrea Electronics bundle originally came to me as the Speech Development Kit, full of promise about how Andrea’s clever audio library would bring crystal clarity to your applications and allow you to quickly and easily build applications you could control with your voice.
Considerable back-and-forth with the company followed, and by the morning on which the column was due with my editor a decision had been made: the Speech Development Kit, which was nothing of the sort and completely failed to deliver on its promises, became the Microphone Development Kit. While still below par – the biggest failing that, unlike the Windows driver that used to be bundled with the Asus version, the clever noise-reducing beam-forming and other-sound-enhancing Linux audio library which is the primary selling point of the kit can only be used in applications you write yourself, and will do nothing for applications like Skype or Audacity – it, at least, now sets a more realistic tone for would-be buyers.
Finally, something for the eyes. The creation of Mark Hardisty, whose A Gremlin in the Works was reviewed back in Issue 168, Inlay is a book about classic game cover art primarily concentrated on the eight-bit era. Where most coffee table books of this type simply reproduce the art as it originally appeared, Hardisty took a more challenging route: the book contains painstaking vector recreations of the original art, minus distracting titles and flashes, producing a derivative work which is clearer and crisper than anything you’ve seen before. My only regret: picking up the cheaper tradebook paperback edition, which lacks the wide format of the hardback edition and thus has less of each cover available for viewing.
All this, and the usual selection of interesting tidbits written by others, is available at your nearest newsagent, supermarket, or electronically via Zinio and similar services.